Archive for April, 2008

Brian Stuparyk shows in Oregon, Kansas

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Got two postcards in the mail from Brian. Also, a note about his front page story in Deadwood, Edition #193

Though the card is a bit beaten up, the one on the left is announcing a show entitled,
“Old Enough to Know Better”
April 1 – May 3
Stevenson Union Gallery
Southern Oregon University
1250 Siskiyou Blvd
Ashland, Oregon 97520

On the right, a show entitled, “It Happened in Lawrence, Kansas”
3-D Prints!
May 4th – May 31st
The Bourgeois Pig
6 East 9th St.
Lawrence, KS
He’s offering Limited Edition Folios Containing 1 Colophon, 4 Random Prints, 1 Pair of 3D Glasses, and a Stick of Gum for $130

There’s no “I” in Present Group.

Voting for TPG7 commences now! We’re exploring the idea of a more inclusive art world and harnasing the power of collective decisions.

Check it out here.

We’ve got five great candidates. And even if you can’t vote, this is an opportunity to familiarize yourself with 5 new artists and their work.

Uncharted Waters: Understanding the Emerging Art Market

On May 4th, Oliver and I will be participating in a talk at the Headlands Center for the Arts in Marin. I think it will be a good discussion. And there will be a very delicious dinner afterwards for $20 using organic, local ingredients. Click here for more details. Come and cheer on my nervous self! Here’s the promo bit from their website:

Date: 5/4/2008 (Sunday)
Time: 4:00 PM
Location: Headlands Center for the Arts

Ticket Info: $10 General Admission
FREE for Headlands Members

Eleanor Harwood, artist; Director, Eleanor Harwood Gallery
Julio Cesar Morales, artist; Co-director, Queen’s Nails Annex
Eleanor Hanson Wise, Co-director, The Present Group
Moderator: Natasha Boas, curator and art advisor

We all hear that the contemporary art market is booming with celebrity artists and star collectors, but what does that mean for the average person? We’ll talk to some Bay Area gallerists and art promoters who have established fresh approaches to the market, and take a look at how aspiring collectors can make informed choices about buying emerging art without breaking the bank. We’ll also talk about how artists can effectively participate in the market, in order to support themselves financially while remaining true to their ideals. Other topics of discussion will include approaches to curatorial practice in for-profit settings; how the art fair circuit contributes to buzz about regional scenes; and art practice and exhibition making as small business enterprises.

CCA Open House

This past weekend we also went to the CCA open house to see our friend (and TPG #3 artist) Christine Kesler‘s work. It’s the end of their first year and they were showing off their work. Of course I didn’t take any pictures or write down anyone’s name, so it doesn’t make for a very good posting. The work seemed pretty mixed, though you could see how waves of influence pass up and down the hallway. Three artists had something that had to do with dollar bills. There was a good amount of proving one’s own sexuality, or at least presenting it in some way. And I think I saw at least two or three places that had some sort of concentric ring type things that sortof reminded me of tree rings.

We also weren’t staying too long as my parents were with us and described the feeling as similar to the theme of No Country for Old Men.

At the very end of the hallway, there was an artist named Elisheva Biernoff who was taking photos in her Arctic photo booth. I don’t know if the point was to show how much people love getting their picture taken, or to have some sort of situation where there is a setup for a formalized transaction between artmaker and art “consumer,” or it is to memorialize glaciers, or if she uses the arctic scene for some other project, but it seemed fun. I do especially love all sorts of dioramas- though it really flattens out in the photo. Oliver and I look like two big cartoon mountains rising from the horizon.

artic-scene.jpg

TPG #2 Still in Play

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This weekend, went to the site of Earth Bay Kiln Bay Kiln from about a year ago. My parents were in town and my mom, a jeweler, is on a sea glass kick. I remembered from back when we spent quite a bit of time with Presley on this beach that this beach was particularly good for sea glass collecting, so I brought her here. To our joy, there are still reminants of Presley’s hand at play here, as they continue to disperse and wear.

We thought it would be fun to post the where abouts of the beach so that anyone who was interested could go and see for themselves. It is a funny little beach in Berkeley. Very few if any people are often on the beach and it is really nice because you can look at the view, take a deep breath, and sit still by yourself for a moment. You may also want to check the tides if you are going cause it fills up at high tide.

Enjoy! If you click on the image of the map it will go to the actual google map.

googlemap_presleybeach.jpg

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Lego Hello World
I wish all my printers were made of legos.

LIFE photo archive hosted by Google
Images from Life Magazine going back to 1860′s, hosted by Google

Coming Face To Face With The President
Well crafted story about an under-heard point of view.

In California, Pot Is Now an Art Patron
A new funding source for the arts – reaping big rewards and funding many projects.  It’s pot.

Notes on Portraiture in the Facebook Age

Celebrity Book Club: A List to End All Lists
Because, well, it’s sortof awesome.

Are "Artists' Statements" Really Necessary?
The pros and cons about that nemesis for most artists.

This to That
You tell it what you’ve got and it’ll tell you what to glue them together with.

Work of art: Online store for buyers, sellers
Not the TV show!  Kelly Lynn Jones from Little Paper Planes is interviewed on her project, gives us a cheat sheet to local affordable art resources.

How to make a Daft Punk helmet in 17 months
whoa.